![]() ![]() As a result, artists were forced to concentrate on private commissions. Just after the Protestant Reformation, neighborhood congregations no longer paid artists commissions in the same way that the Catholic church did in other countries. In 1631, he then moved to Amsterdam, where he generated popular mythical and religious artworks. Self-portrait (1659) by Rembrandt van Rijn Rembrandt, Public domain, via Wikimedia Commons ![]() He took his first students when he was only 22 years old, one of whom was the famous Gerrit Dou. He quickly departed to pursue art with Jacob van Swanenburch, and then a bit later on with Pieter Lastman, sheer boredom. He received excellent tuition, starting his education at the Latin School and then enrolling at the University of Leiden when he was around 14 years of age. Rembrandt van Rijn was born on the 15th of July, 1606, the son of a modestly wealthy miller in Leiden, Holland. Rembrandt van Rijn (1606 – 1669) Nationality Portrait of Mona Lisa del Giocondo (between 15) by Leonardo da Vinci Leonardo da Vinci, Public domain, via Wikimedia Commons Due to two of his most popular artworks, The Last Supper (1498) and The Mona Lisa (1503), he is regarded as arguably one of the finest artists in history.Ī few of the artist’s most well-known artworks include: ![]() 1512 Leonardo da Vinci, Public domain, via Wikimedia Commonsįrom around 14 years of age, he became Verrocchio’s trainee, where he discovered to paint, sketch, and perform other tasks. Presumed self-portrait of Leonardo da Vinci, c. While little is known about da Vinci’s childhood, his father was wealthy and married multiple times. Because of da Vinci’s many skills and abilities, the term Renaissance Man was conceptualized, and he set the benchmark for subsequent creatives. He is one of history’s most talented and intelligent people. Leonardo da Vinci was an Italian Renaissance scientist, innovator, and artist. Leonardo da Vinci (1452 – 1519) Nationality Painters started to revisit figuration in the 1980s and 1990s, pushing the age-old genre of painting portraits into uncharted territory. History, on the other hand, has consistently proven them wrong. They claimed that by this time photographers would have already discovered something about portraiture in a greater sense beyond what the normal artist was able to capture, and painters would no longer be interested in mastering the art of painting portraits. 2.2 Who Are Some Well-Known Portrait Painting Artists?ĭuring the early 20th century, some art historians predicted that portrait paintings would become obsolete.Without shying away from the complicated socio-political histories relevant to the world, Wiley’s figurative paintings and sculptures “quote historical sources and position young black men within the field of power.” His heroic paintings evoke a modern style instilling a unique and contemporary manner, awakening complex issues that many would prefer remain mute. This juxtaposition of the “old” inherited by the “new” – who often have no visual inheritance of which to speak – immediately provides a discourse that is at once visceral and cerebral in scope. The models, dressed in their everyday clothing most of which are based on the notion of far-reaching Western ideals of style, are asked to assume poses found in paintings or sculptures representative of the history of their surroundings. As his practice grew, his eye led him toward an international view, including models found in urban landscapes throughout the world – such as Mumbai, Senegal, Dakar and Rio de Janeiro, among others – accumulating to a vast body of work called, “The World Stage.” Initially, Wiley’s portraits were based on photographs taken of young men found on the streets of Harlem. Wiley’s larger than life figures disturb and interrupt tropes of portrait painting, often blurring the boundaries between traditional and contemporary modes of representation and the critical portrayal of masculinity and physicality as it pertains to the view of black and brown young men. By applying the visual vocabulary and conventions of glorification, history, wealth and prestige to the subject matter drawn from the urban fabric, the subjects and stylistic references for his paintings are juxtaposed inversions of each other, forcing ambiguity and provocative perplexity to pervade his imagery. ![]()
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